This offers the simplest “neutral” colloquial mixture of “design” and “evolution” that I’ve seen in a long time. The site is no longer maintained, but the language persists.
“As a designer it is important to understand where design came from, how it developed, and who shaped its evolution. The more exposure you have to past, current and future design trends, styles and designers, the larger your problem-solving toolkit. The larger your toolkit, the more effective of a designer you can be.” http://www.designishistory.com/this-site/
Here, the term “evolution” as used just meant “history”. The author was not indicating “design theory evolution”, but rather instead the “history of designs” themselves, which have been already instantiated.
The topic “design is history” nevertheless enables an obvious point of contact between “evolution” and “design”. They both have histories that can be studied. Present in the above meaning of “design” are the origin, processes and agent(s) involved in the “designing”. This differs significantly from the Discovery Institute’s version of “design theory”, when it comes to history, aim, structure and agency, since the DI’s version flat out avoids discussion of design processes and agent(s). The primary purpose of the DI’s “design theory”, meanwhile, is USAmerican religious apologetics and “theistic science”.
The quotation above likely didn’t come from an IDist, and it isn’t referencing “Intelligent Design” theory as a supposed “scientific theory”. The “designer” in the quotation above is a (more or less intelligent) human designer, not a Divine Designer. This fact distinguishes it “in principle” from the Discovery Institute’s ID theory, which is supposed to be (depends on who you’re speaking with in the IDM) about first biology, then informatics, and statistics. The DI’s ID theory is not actually focused on “designing by real designers”, but rather on apologetics using “design” and informational probabilism.
The Discovery Institute’s failure to distinguish or even highlight the differences and similarities between human design and Divine Design, and instead their engagement in active distortion, equivocation, double-talking, and obfuscation between them, are marks of its eventual downward trend to collapse.